Visual concept and set design for a series of looping videos accompanying Hadren’s debut album.
The project merges oniric landscapes with industrial textures, reflecting the emotional fragmentation of the music and the constant dream paralysis state.
Set design for the fashion pop-up at Fantastic Toiles (London, UK) to present ‘Diary’ collection from Central Saint Martins’ Jacek Gleba, crafting a space that reflects the collection’s story of dance as a form of intimacy and movement as a private language.
Production design and prop making for the Dinosaurus TV commercial ‘Dinofósil’ (Artiach), creating engaging environments that bring the campaign’s prehistoric and lab theme to life.
Production design ft Aitor Rubio (from Duelo) for Hadren’s Soul Blackout music video, directed by Ester G. Mera, creating a dark, immersive world where mechanical debris and cemetery imagery merge into a haunting vision of decay and fragmented reality.
Production design for a fashion story inspired by teen anxiety and suburban drama. The space combines raw materials and symbolic elements to evoke a natural atmosphere between city streets and the open outdoors.
Creative direction and production + stage design for Nina Emocional’s FDM live shows, featuring a striking elevated set: a minimalist staircase structure rising two metres above the stage, creating a bold visual symbol of ascension,
ending and emotional exposure. The language of industrial and technical elements combined with our visuals and lights design creates a direct, impactful visuality to intensify the performance’s intimate power.
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Spatial and props design, set-up, and on-site production for the ‘KDV Movement Bootcamp’ where adidas and Kianí del Valle Performance Group merged performance and sport within the spaces of Deutsches Theater and adidas Sports Base Berlin.
Set design for fashion editorial premiering on PAP magazine with a dark, insect-inspired world where wet, slimy surfaces and tangled spiderwebs merged with a vegetation set to evoke a sense of unsettling beauty and primal fascination.
